Comparison Philips 345E2AE 34 " black vs Iiyama ProLite XUB3493WQSU-B1 34 " black

The technology by which the monitor matrix is made.

— TN+film. The oldest and most common technology for manufacturing matrices. The original TN (Twisted Nematic) monitors have a low response time and low cost, but the image quality is average. So, the colour quality is not high, and the perfect black colour cannot be reproduced at all. In addition, the original TN technology provides relatively small viewing angles. To correct this situation, a special film is applied to the surface of the matrix. These matrices received the name "TN + film". Monitors with such a matrix are widespread and inexpensive. They are well suited for undemanding users both at home and in the office, and gamers will appreciate the fast response time.

— *VA(Vertical Alignment, options: MVA, PVA, Super MVA, Super PVA). A kind of transitional option between expensive and high-quality IPS and low-cost TN. Provide sufficiently high-quality colour reproduction, including black colour, viewing angles can reach 178°. The main disadvantage of VA matrices is the significant response time (especially for MVA monitors), due to which such monitors are relatively poorly suited for watching videos and dynamic games. This shortcoming is gradually being eliminated, and the latest models of VA monitors are approaching TN...+ film in response time.

— IPS. Initially, IPS technology was created for high-end monitors (in particular, "designer"), the key parameters for which were the quality of colour reproduction and a wide colour gamut. With all these advantages, the original IPS matrices also had a number of serious drawbacks — first of all, low response speed and impressive cost. Thus, many modifications of the IPS technology have been developed, designed to compensate for these shortcomings to one degree or another.

— OLED. Monitors with screens using organic light emitting diodes — OLED. Such LEDs can be used both to illuminate a traditional matrix, and as elements from which a screen is built. In the first case, the advantages of OLED over traditional LED backlighting are compactness, extremely low power consumption, backlight uniformity, as well as excellent brightness and contrast ratios. And in matrices, consisting entirely of OLED, these advantages are even more pronounced. The main disadvantages of OLED monitors are the high price (which, however, is constantly decreasing as the technology develops and improves), as well as the susceptibility of organic pixels to burn-in when broadcasting static images for a long time or pictures with static elements (toolbar, clock, etc.).

— QLED. Monitors built using quantum dot technology (QLED). This technology can be used in matrices of various types. It involves replacing a set of several colour filters used in classic matrices with a special thin-film coating based on nanoparticles, and traditional white LEDs with blue ones. This allows you to achieve higher brightness, colour saturation and colour quality at the same time as reducing the thickness and reducing power consumption. In addition, QLED is well suited for creating curved screens. The flip side of these benefits is the high price.

— QD-OLED. A kind of hybrid version of matrices that combine “quantum dots” (Quantum Dot) and organic light-emitting diodes (OLED) in one bottle. The technology takes the best from QLED and OLED: it is based on blue LEDs, self-luminous pixels (instead of external backlighting) and “quantum dots”, which play the role of color filters, but at the same time practically do not attenuate the light (unlike traditional filters) . Thanks to the use of a number of advanced solutions, the creators managed to achieve very impressive characteristics, significantly superior to many other OLED matrices. Among them are high peak brightness from 1000 nits (cd/m²), excellent contrast and black depth, as well as an expanded color gamut (over 120% of the DCI P3 gamut). Such matrices are found mainly in expensive advanced monitors with a large screen diagonal.

— AHVA. A type of matrix created by AU Optronics (a joint venture between Acer and BenQ) as a solution similar to modern IPS. Among the key advantages of this option over analogues is the almost complete absence of colour distortions at all viewing angles.

– PLS (Plane to Line Switching). This type of matrix was developed by Samsung engineers. It is based on the familiar IPS technology. According to some parameters, namely: the brightness and contrast of PLS exceeds IPS by 10%. The main goal of creating a new type of screens was to reduce the cost of the matrix, according to the developer, the production cost was reduced by 15%, which will positively affect the final price of monitors in comparison with IPS counterparts.

— IGZO. Technology introduced by Sharp in 2012. The key difference between IGZO and classic LCD matrices is that for the active layer (responsible for creating the image) it uses not amorphous silicon, but a semiconductor material based on indium gallium oxide and zinc oxide. This makes it possible to create screens with extremely fast response times and high pixel densities, and the technology is considered well suited for ultra-high resolution screens. With all this, the colour rendering characteristics allow the use of IGZO monitors even in the professional field, and the power consumption is very low. The main disadvantage of this option is the high cost.

— UV2A. An LCD display technology developed by Sharp and introduced in 2009. One of the key features of UV2A matrices is that they are based on liquid crystals that are sensitive to ultraviolet light. And it is UV radiation that is used as a control signal — it ensures that the crystals turn in the right direction to form an image. The technical features of such systems are such that the position of individual crystals can be controlled with extremely high accuracy — up to several picometers (with the size of the crystals themselves about 2 nm). According to the manufacturer, this provides two key benefits: no backlight "leakage" and improved light transmission with "open" crystals. The first allows you to achieve very deep and rich blacks, the second provides excellent brightness with low power consumption, and together these two features make it possible to create screens with a very high static contrast ratio — up to 5000: 1. At the same time, we note that the actual contrast characteristics in UV2A monitors can be noticeably more modest — it all depends on the features of a particular matrix and the characteristics that the manufacturer was able or considered necessary to provide.

— Mini LED IPS. A variation on the theme of the familiar IPS-matrix, which is illuminated by an array of reduced LEDs. The small caliber of individual light sources (of the order of 100-200 microns) makes it possible to form a much larger number of zones of controlled local dimming of the screen. Together, this delivers improved brightness, contrast, colour saturation, and black depth, and raises the bar for High Dynamic Range (HDR) technology.

— Mini LED VA. A variety of VA-matrices with a Mini LED backlight system. It consists of many tiny LEDs, which, due to their number, form many times more local screen dimming zones than standard canvases. As a result, Mini LED VA panels boast improved colour reproduction, impressive black depth, and multiple performance improvements in HDR content.

— Mini LED QLED. Behind the plane of the QLED panel in monitors with a Mini LED backlight system are thousands of miniature LEDs no larger than 200 microns in size, which divide the screen into a great many zones with controlled local dimming. They are individually dimmable, allowing full display of HDR content with bright light and deepest black levels.

Modern monitors can use displays with both glossy and matte screen surfaces. A matte surface is in some cases more preferable due to the fact that on a glossy screen, when exposed to bright light, noticeable glare appears, sometimes interfering with viewing. On the other hand, glossy screens offer better picture quality, higher brightness, and richer colours.
Due to the development of technology, monitors with a special anti-glare coating have appeared on the market, which, while maintaining all the advantages of a glossy screen, creates significantly less visible glare in bright ambient light.

The horizontal refresh rate of the image on the monitor screen.

This parameter was relevant for CRT monitors, in which the image was formed by an electron beam that "ran through" each individual line on the screen and illuminated the pixels. The horizontal refresh rate described the number of lines drawn per second. However, modern LCD matrices do not use a scan, but a full-frame image. Therefore, today this parameter is rarely given in monitors, and it describes the maximum horizontal frequency in an analogue video signal (for example, via the VGA interface), with which the screen can work normally.

The maximum brightness provided by the monitor screen.

Choosing a monitor with high brightness is especially important if the device is going to be used in bright ambient light — for example, if the workplace is exposed to sunlight. A dim image can be "dampened" by such lighting, making work uncomfortable. In other conditions, the high brightness of the screen is very tiring for the eyes.

Most modern monitors give out about 200 – 400 cd / m2 — this is usually quite enough even in the sun. However, there are also higher values: for example, in LCD panels (see "Type") the brightness can reach several thousand cd/m2. This is necessary taking into account the specifics of such devices — the image must be clearly visible from a long distance.

Dynamic contrast provided by the monitor screen.

Dynamic contrast refers to the difference between the brightest white at maximum backlight intensity and the deepest black at minimum backlight. In this way, this indicator differs from static contrast, which is indicated with a constant backlight level (see above). Dynamic contrast ratio can be expressed in very impressive numbers (in some models — more than 100,000,000: 1). However, in fact, these figures are poorly correlated with what the viewer sees: it is almost impossible to achieve such a difference within one frame. Therefore, dynamic contrast is most often more of an advertising than a practically significant indicator, it is often indicated precisely in order to impress an inexperienced buyer. At the same time, we note that there are "smart" backlight technologies that allow you to change its brightness in certain areas of the screen and achieve a higher contrast in one frame than the claimed static one; these technologies are found mostly in premium monitors.

The colour gamut of the monitor is based on the NTSC colour model.

Any colour gamut is indicated as a percentage, however, not relative to the entire variety of visible colours, but relative to the conditional colour space (colour model). This is due to the fact that no modern screen is able to display all the colours visible to humans. However, the larger the colour gamut, the wider the monitor's capabilities, the better its colour reproduction.

Specifically, NTSC is one of the first colour models created back in 1953 with the advent of colour television. It is not used in the production of modern monitors, but is often used to describe and compare them. NTSC covers a wider range of colours than sRGB, which is standard in computer technology: for example, coverage of only 85% in NTSC gives about 110% in sRGB. So the colour gamut for this model is usually given for advertising purposes — as a confirmation of the high class of the monitor; a very good indicator in such cases is considered to be 75% or more.

Monitor colour gamut Rec. 709 or sRGB.

Any colour gamut is indicated as a percentage, however, not relative to the entire variety of visible colours, but relative to the conditional colour space (colour model). This is due to the fact that no modern screen is able to display all the colours visible to humans. However, the larger the colour gamut, the wider the monitor's capabilities, the better its colour reproduction.

Nowadays, sRGB is actually the standard color model adopted for computer technology; This is what is used in the development and production of most video cards. For television, the Rec. standard, similar in parameters, is used. 709. In terms of the range of colors, these models are identical, and the percentage of coverage for them is the same. In the most advanced monitors it can reach or even exceed 100%; These are the values that are considered necessary for high-end screens, incl. professional.

— Mini-Jack input (3.5 mm). Audio input with standard 3.5mm mini-jack. Usually, it looks like a socket into which a mini-jack plug is connected from a signal source. The signal itself from such an input can be fed either to the monitor's built-in speakers or to the audio output (see below for both).

— Mini-Jack output (3.5 mm). Analogue audio output using a standard 3.5mm mini-jack. Usually it is universal, it can be used both for connecting headphones and as a line output for computer speakers or other active acoustics. The presence of an audio jack on the monitor is convenient because such a port is usually closer to the user than the audio card outputs, and connecting headphones or speakers directly to the monitor is easier than pulling a wire to the system unit.

-LAN. Standard connector for wired connection to computer networks. The presence of such an input in most cases turns the monitor into a network device: any network user with the appropriate access rights can display an image on it. Another use case for LAN is a direct connection to another device. For example, in this way you can connect a laptop with a LAN output without disconnecting the monitor from the PC (to which it can be connected, for example, via the DVI interface). And some especially advanced models have embedded software tools that a...llow using the local network to view the contents of devices connected to this network, and even use some web services directly from the monitor, without using a computer as such.

— Component. An analogue interface that transmits video components over three separate wires (hence the name). It is the most advanced of the common analogue standards, allows you to transmit HD-image and provides better quality than S-Video and even more so the composite connector. It is practically never found in computer video cards, but it is still quite popular in various video equipment; may be useful for connecting the monitor to a media centre, DVD player, or other similar device. However the sound will have to be connected through a separate connector — the component interface does not support audio transmission.

— Composite. One of the simplest and most common analogue audio/video inputs. Like component, it uses three wires and in its standard form consists of three RCA connectors; in some monitors, both interfaces can even be implemented through one set of connectors, switched to "component" or "composite" modes in the settings. The peculiarity of this standard is that it allows you to transmit both picture and sound: one of the wires is used for the analogue video signal, and the remaining two are responsible for the left and right stereo channels. However the composite interface is considered outdated: due to video transmission over a single cable, the quality and noise immunity of the picture are low, and there is no talk of HD resolutions at all. On the other hand, such outputs are still quite popular in video technology — both modern and frankly outdated (like VHS VCRs). And the ability to connect both video and sound at once is very convenient. However, if the monitor has neither audio outputs nor built-in speakers, it usually provides a stripped-down version of this connector — "composite video", with one RCA jack.

— Coaxial (S/P-DIF). An electrical version of the S / P-DIF interface: through one coaxial RCA connector (tulip), sound is transmitted digitally, including multichannel. This connector is found mainly among large-format plasma and LCD panels (see "Type"), where it plays the role of an output for connecting external audio systems — primarily home theaters and other advanced multi-channel acoustic sets.

— Linear. The line interface is a standard audio interface for transmitting an audio signal in analogue format. In general, the most popular way to use this connector is to output sound to active speakers and/or an external amplifier. However, monitors can have both outputs and inputs of this type. In this sense, the line interface is similar to the 3.5 mm jack described above; moreover, in some models, the mini-Jack plays the role of a linear connector.

— Optical. Another type of S / P-DIF connector, in addition to the coaxial output described above. It is used for the same purpose — to output multi-channel sound to external acoustics — however, it uses not an electrical, but an optical (light-guide) cable, so that such a connection is absolutely not subject to electrical interference. On the other hand, optical fibre requires careful handling, as it can crack from bending or strong pressure. It is also worth noting that, unlike coaxial, the optical output is found in both large and relatively small monitors.

— COM port (RS-232). Universal digital interface for transferring various data. In monitors, it usually plays an auxiliary role: it allows you to control the screen settings from a connected computer or other device, and in models with touch screens it can also be used to transfer data from the sensor to the computer. It is much less common than USB, it is practically not used in laptops, but it has the advantage of a maximum cable length — 15 m versus 5 m.

— S video. One of the common analogue video interfaces, along with the composite and component ones described above. The video signal is transmitted on two separate wires, so you can achieve better quality than in composite video; and compares favorably with the component interface S-Video in compactness (both wires are connected through one connector). Audio transmission over this connection is not provided. This standard is considered obsolete and has almost gone out of use in computers, but it is still found in various video equipment and can be useful for non-standard monitor applications.

The presence of a swivel stand in the design of the monitor allows you to change not only the angle of the screen (of course everyone has it), but also its rotation to the right and left. The angle of rotation depends on the model, but anyway, even a slight deviation allows you to quickly adjust the position of the monitor to your needs.