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Comparison Samsung HW-Q90R vs Sony HT-ST5000

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Samsung HW-Q90R
Sony HT-ST5000
Samsung HW-Q90RSony HT-ST5000
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Main
Additional rear speakers.
Audio format7.1.47.1.2
Mount typeshelf / wallshelf / wall
Rear acoustics
3D
Ultra HD (4K)
Tech specs
Rated power510 W800 W
Soundbar speaker power210 W
Rear speaker power140 W
Frequency range34 – 17000 Hz
Impedance4 Ohm
Subwoofer
Wireless subwoofer
Acoustic designbass-reflex type
Subwoofer power160 W
Subwoofer speaker size203 mm
Subwoofer dimensions (WxHxD)205x403x403 mm248x403x424 mm
Subwoofer weight9.8 kg14.1 kg
Interfaces
Interfaces
 
Wi-Fi
Bluetooth
 
 
Chromecast
Wi-Fi
Bluetooth
NFC
LAN
Streaming services
Spotify
 
Audio decoders
DTS
DTS X
Dolby Digital
Dolby Digital Plus
Dolby TrueHD
Dolby Atmos
 
 
Dolby Digital
Dolby Digital Plus
Dolby TrueHD
Dolby Atmos
Connectors
Inputs
 
 
optical
USB A
mini-Jack (3.5 mm)
optical
HDMI input23
HDMI output1 pc1 pc
Speakers
Number of speakers17 шт7 шт
General
Display
Control
remote control
TV remote control
from smartphone
Amazon Alexa
remote control
 
 
Google Assistant
Power consumption35 W120 W
Dimensions (WxHxD)1226x83x136 mm1180x80x145 mm
Projector weight8.8 kg8.2 kg
Color
Added to E-Catalogjuly 2019august 2017

Audio format

The audio format produced by a sound projector is actually the largest number of individual audio channels supported by the device. Note that in this case we are talking about the number of real channels, that is, channels for each of which at least one speaker is allocated; Models that support virtual surround sound can give the listener the impression of more channels than there actually are (see below for more details).

The sound format is indicated by two or three numbers separated by a dot. The first indicates the number of main channels, the second - the number of subwoofers, the third - the number of additional vertical radiators. For example, 2.1 format corresponds to stereo sound (2.0) supplemented by a subwoofer. And the conditional 3.1.2 format includes left, right and center channels, a subwoofer, left and right vertical speakers.

Sound projectors that support a more advanced sound format than 3.1 are designated in our catalog as multi-channel. The classic multichannel audio format is 5.1, but there are other options. In any case, a large number of real channels contributes to the fidelity of the reproduced sound and simplifies setup compared to virtual surround sound systems, but is also more expensive.

The most common sound formats are: 2.0, ...href="/en/list/331/pr-18824/">2.1, 3.0, 3.1, 4.1, 5.1, 5.1.2, 7.1.

Rear acoustics

The rear speakers provide a more realistic and spacious soundbar sound, allowing you to immerse yourself in the atmosphere of what is happening. Such sound system, often consisting of a pair of speakers, are installed behind the intended seating area of the listeners, complementing the sound of the main source.

3D

The ability of the projector to output a video signal in 3D format — that is, a "volumetric" image that has three full dimensions (including depth). Since 3D uses the division of the “picture” of the image into two parts (for the left and right eyes), the format of such a signal differs from the usual two-dimensional one, and not every model is able to work with it. You also need to consider that in order to view 3D content, you need not only a projector, but also a TV (or other playback device) with the appropriate screen capabilities.

This feature requires the projector to have at least one HDMI output (see below). In this case, the video signal source can be either an external device or the projector itself, operating in the format of a media centre (for example, a model with direct playback from USB media).

Rated power

The total power rating of the sound projector speakers (including subwoofer, if present).

This parameter is often used to estimate the overall sound volume of the device, but this is not entirely true. The fact is that the actual sound volume is determined mainly by the power of the main speakers of the sound projector, and the total power is the sum of this power and the power of the subwoofer. Therefore, models with the same power rating can vary markedly in actual volume: for example, a 150-watt soundbar with a 50-watt subwoofer will be louder than a 100-watt projector with a subwoofer of the same power, although in both cases the rated power will be equal to 200 watts.

Summing up, we can say that it is possible to evaluate the volume by rated power only if the sound projector is not equipped with a subwoofer — in such models, the rated power is equal to the power of the main speakers. In other cases, it is worth focus on the power of the soundbar and the power of the subwoofer directly stated in the characteristics (see below for both).

Soundbar speaker power

The nominal power of the speakers installed directly in the soundbar, excluding the subwoofer (in models with a built-in subwoofer, respectively, only the power of the main speakers is taken into account).

This indicator directly determines the overall volume of the sound projector; It is worth choosing according to this parameter taking into account the specifics of the room in which the projector is planned to be installed: the larger the room and the greater the distance to the viewer, the higher the power should be, otherwise the soundbar will not be able to effectively sound the scene. Detailed recommendations on the optimal power for different situations can be found in special sources.

Rear speaker power

The power rating of the rear speakers, which are usually responsible for surround sound effects. The higher the watt rating, the louder and richer the sound can be. Models with high power rear speakers are ideal for large rooms.

Frequency range

The audio frequency range supported by the projector's speakers.

When evaluating this parameter, it is worth remembering that the audibility range of the human ear is about 16 – 22,000 Hz (and narrows with age). If the projector's frequency range is narrower, this can result in "cutting" low or high frequencies (however, with a slight narrowing, this effect is almost imperceptible). There are models in which the frequency limit is much wider — however, this is a kind of "side effect" of high-quality acoustics and has no meaning other than advertising.

Also note that a wide frequency range in itself does not guarantee high-quality sound — a lot depends on other parameters of the projector.

Impedance

Impedance is the projector's resistance to alternating current, or more precisely, to the analog audio signal input from an external power amplifier. Actually, this parameter is of practical importance precisely if the device is planned to be used with an external amplifier. Ideally, the projector's impedance should match the impedance for which the amplifier is designed - otherwise, the volume may either decrease (if the impedance is too high), or distortion, overload, and even damage to the acoustics (if the impedance is too low) may occur.

Higher impedance is also thought to reduce the likelihood of interference. However, modern speakers (including sound projectors) have standard impedance values of 4, 6 or 8 ohms - the difference is not so great that the differences in sound quality are noticeable.

Acoustic design

Acoustic design of the subwoofer used by the sound projector.

— Closed type. The simplest design option is a speaker installed in a closed case. Such subwoofers have a relatively low volume, but are distinguished by good sound fidelity and a minimum of distortion.

— Bass-reflex type. Subwoofers equipped with a phase inverter - a special tube connecting the inner volume of the case with the outer space. Such equipment improves the volume and saturation of the sound, but increases the likelihood of interference (primarily the rumble of air in the pipe).

— With a passive radiator. The passive radiator is actually a speaker without a coil and a magnet, installed in the subwoofer cabinet along with the main speaker. The purpose of such a radiator is similar to the phase inverter described above, except that it is less susceptible to interference.
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