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Comparison JBL Tune 700BT vs JBL Live 500BT

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JBL Tune 700BT
JBL Live 500BT
JBL Tune 700BTJBL Live 500BT
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Connection and design
Design
overhead, closed
full size Over-Ear
foldable
swiveling earcups
overhead, closed
full size Over-Ear
foldable
swiveling earcups
Microphonebuilt into the bodybuilt into the body
Connection typecombinedcombined
Connection
mini-Jack (3.5 mm)
Bluetooth v 4.2
mini-Jack (3.5 mm)
Bluetooth v 4.2
Plug45° angle45° angle
Cable supplysingle-sidedsingle-sided
Range10 m10 m
Cable typeroundround, braided
Detachable cable
Specs
Soundstereostereo
Impedance32 Ohm32 Ohm
Frequency range20 – 20000 Hz18 – 20000 Hz
Sensitivity102 dB108 dB
Speaker size40 mm50 mm
Emitter typedynamicdynamic
Features
Volume control
Transparent mode
Multipoint
Power supply
Power sourcebatterybattery
Headphone battery capacity610 mAh700 mAh
Charging time2 h
Operating time (music)27 h30 h
Charging portmicroUSB
General
Weight220 g232 g
In box
additional cable
 
Color
Added to E-Catalogmarch 2020january 2019

Cable type

The type of cable provided in the design or package of the headphones. Note that this parameter is relevant both for wired or combined models (see "Type of connection"), and for some wireless models - in particular, earbuds and in-ear headphones without attachment, where the wire connects one earphone to another.

- Round. Classic round wire - straight, without braid and other additional devices. It is inexpensive and in most cases quite practical, which is why it is found in most modern headphones. The disadvantage is that with a small thickness, the round wire tends to tangle; therefore, this option is considered not very convenient for compact headphones, such as in-ear or in-ear headphones (see "Design"), which often have to be carried in a pocket or bag.

- Flat. The main advantage of a flat cable is that it is not as tangled as a round one, and in which case it is much easier to unravel. This is especially important for earbuds and in-ear headphones, which are often rolled up for storage or portability. However, larger overhead models can also be equipped with a flat wire.

- Drawstring around the neck. A wire adapted in one way or another to be worn around the neck - for example, having the form of a loop from which two separate headphones depart. The main advantage of this design is the convenience for constant wear: if necess...ary, you can remove the headphones and leave them hanging on a cord, and then quickly put them back on. It is worth noting here that this option is found mainly among liners and in-ear models, for which the mentioned advantage is especially relevant.

- Round, braided. Round wire, supplemented with an outer braid - usually fabric. See above for more details on round wire. And the presence of a braid gives such a cable a number of advantages over the classic, in "bare" insulation. So, the wire turns out to be more durable, reliable and resistant to kinks and pressures, less confused, has a solid appearance, and in some models the braid also provides shielding from external interference. The reverse side of these advantages is the increased price.

- Spiral. Round cable, coiled in the form of a spring. The main advantages of spiral wire are that it practically does not tangle and can be noticeably stretched relative to its original length. The latter is very convenient if in the course of using the "ears" you have to change the distance to the signal source. The disadvantages of a spiral cable are bulkiness and relatively high cost. Therefore, it is often used in headphones of medium and top levels (including professional models).

- Round, braided. Cable in the form of two wires twisted into a spiral. Do not confuse this option with a spiral wire - in this case we are not talking about a spring. Such a cable is notable primarily for its unusual appearance; for greater originality, the wiring can be made multi-colored. It is also slightly more tangle-resistant than the classic round, although much depends on the thickness here. At the same time, individual wires can be noticeably thinner than a solid round wire, which somewhat reduces reliability.

- Zipper. Reversible wire (see "Cable entry"), in which the individual wires are hidden inside the halves of the zipper. The fastener does not cover the entire length of the cable, but usually takes up half, or even more. The headphones themselves with a similar wire most often belong to miniature varieties - in-ear or in-ear. Such models are very convenient in “packing” and “unpacking” for storage and carrying: by zipping up, you can connect two wires into one, and when you need the headphones again, you can unzip them by separating them. At the same time, the fastened zipper is very resistant to tangling. Yes, and this accessory looks quite unusual.

- In the form of a lace. A wire that looks like a lace - like tech used in shoes or clothing. Do not confuse such a cable with a cord around your neck (see above) - in this case, we mean not the way the wire is worn, but a specific type of braid. Such a wire is comparable in width to a flat wire, due to which it resists tangling well. However, the main advantage of this option is still the original appearance: “laces” are often made in bright colors, can be painted in several colors, complemented by a pattern, etc.

Frequency range

The range of audio frequencies that headphones can reproduce.

The wider this range — the more fully the headphones reproduce the spectrum of sound frequencies, the lower the likelihood that too low or too high frequencies will be inaccessible. However, some nuances should be taken into account here. First of all, we recall that the range of perception of the human ear is on average from 16 Hz to 22 kHz, and for the full picture it is enough that the headphones cover this range. However, modern models can noticeably go beyond these limits: in many devices, the lower threshold does not exceed 15 Hz, or even 10 Hz, and the upper limit can reach 25 kHz, 30 kHz, and even more. Such extensive ranges in themselves do not provide practical advantages, but they usually indicate a high class of headphones, and sometimes they are only given for promotional purposes.

The second important point is that an extensive frequency range in itself is not a guarantee of good sound: the sound quality also depends on a number of parameters, primarily the frequency response of the headphones.

Sensitivity

Rated headphone sensitivity. Technically, this is the volume at which they sound when a certain standard signal from the amplifier is connected to them. Thus, sensitivity is one of the parameters that determine the overall volume of the headphones: the higher it is, the louder the sound will be with the same input signal level and other things being equal. However, we must not forget that the volume level also depends on the resistance (impedance, see above); moreover, it is worth choosing “ears” for a specific device first by impedance, and only then by sensitivity. In this case, one parameter can be compensated for by another: for example, a model with high resistance and high sensitivity can work even on a relatively weak amplifier.

As for specific figures, headphones with indicators of 100 dB or less are designed mainly for use in a quiet environment (in some similar models, the sensitivity does not exceed 90 dB). For use on the street, in transport and other similar conditions, it is desirable to have more sensitive headphones — about 101 – 105 dB, or even 110 dB. And in some models, this figure can reach 116 – 120 dB. and even more.

It is also worth noting that this parameter is relevant only for a wired connection according to the analogue standard — for example, via...a 3.5 mm mini-jack. When using digital interfaces like USB and wireless channels like Bluetooth, the sound is processed in the built-in headphone converter, and if you plan to mainly use this kind of application, you can not pay much attention to sensitivity.

Speaker size

The diameter of the speaker installed in the headphones; models with multiple drivers (see "Number of drivers"), usually, the size of the largest speaker is taken into account, other dimensions can be specified in the notes.

In general, this parameter is relevant primarily for over-ear headphones (see "Design"). In them, emitters can have different sizes; the larger it is, the more saturated the sound is and the better the speaker reproduces the bass, however, large emitters have a corresponding effect on the dimensions, weight and price of the headphones. But in-ear "ears" and earbuds, by definition, have very small speakers, and rich bass in them is achieved due to other design features.

Transparent mode

A feature that allows the user to hear the sounds of the surrounding world without removing the headphones.

This possibility is relevant mainly for models with a high degree of sound insulation; so the transparent mode can be found mainly among in-ear models, as well as overhead "ears" of the Over Ear format in a closed acoustic design. A special microphone is responsible for the operation of the function, which “listens” to the surrounding sounds and broadcasts them to the headphones. In Talk Through mode, you can, for example, listen to the interlocutor or control the environment on a busy street. And some headphones with this feature also have more advanced functions, including automatic adjustment to the situation: such models turn on on their own to transmit speech, “hearing” the loud voice of a person nearby. Individual headphones react to loud street noises in the transparent Ambient Aware mode — it means broadcasting noises through the speaker that can be potential danger signals (screams, car signals, etc.).

Note that most models with Talk through also have an active noise reduction function (see above), and the “transparent mode” in them is one of the noise reduction modes. However, exceptions to this rule are possible — technically transparent mode does not have to be combined with noise reduction.

Headphone battery capacity

The capacity of the battery installed in the headphones of the corresponding design (see "Power").

Theoretically, a higher capacity allows to achieve greater battery life, but in fact, the operating time also depends on the power consumption of the headphones — and it can be very different, depending on the characteristics and design features. So this parameter is secondary, and when choosing it is worth paying attention not so much to the battery capacity, but to the directly claimed operating time (see below).

Charging time

The time required to fully charge the battery in properly powered headphones (see above).

In this case, we mean the battery charging time from 0 to 100% when using a standard charger (or a third-party charger with identical characteristics). Accordingly, in fact, this indicator may differ from the claimed one, depending on the specifics of the situation. However, in general, it is quite possible to evaluate different models and compare them with each other: headphones with a shorter claimed charging time will in fact charge faster (ceteris paribus).

Also note that an increase in battery capacity (and headphone battery life) inevitably implies an increase in charging time. To compensate for this moment, special fast charging technologies can be used — however, they affect the cost and require the use of specialized charger.

Operating time (music)

The declared operating time of headphones with autonomous power supply (see above) when listening to music on a single battery charge or a set of batteries.

As a rule, the characteristics indicate a certain average operating time in music listening mode, for standard conditions; in practice, it will depend on the intensity of use, volume level and other operating parameters, and in models with replaceable batteries - also on the quality of specific batteries. However, based on the stated time, you can fairly reliably assess the autonomy of the selected headphones and compare them with other models. As for specific values, relatively “short-lived” devices have a battery life of up to 8 hours, a figure of 8 – 12 hours can be called quite good, 12 – 20 hours – very good, and in the most “long-lasting” headphones the operating time can exceed 20 hours.

Charging port

The type of connector used to charge the built-in headphone battery, or more precisely, to connect an external charger. The role of such a device can be played by a network or car adapter, a power bank, or even a USB port of a PC or laptop (if the appropriate cable is available). At the same time, in true wireless models (available with a long stem, a short stem, without a stem, with a behind-the-ear mount and a clip (Clip-on)), the “charger” wire is connected to a special docking station, where the “ears” are placed during charging (with In this case, the station itself usually has its own battery and can also work as an autonomous power bank). And in wireless and combined solutions of a more traditional design, the charging input is often located on the headphone body itself. As for connectors, the most common options are:

- microUSB. A smaller version of the USB connector designed for portable devices. It appeared quite a long time ago, but does not lose popularity in our time and is used by the vast majority of manufacturers.

- USB C. A miniature USB connector, positioned, among other things, as a potential successor to microUSB. Unlike its predecessor, it has a double-sided design, thanks to w...hich the plug can be inserted into the socket on either side. It is still relatively rare, but the situation is likely to change in the coming years.

- Lightning. Apple branded connector. Like USB C, it has a reversible design, while being somewhat more convenient and reliable, but the use of Lightning is limited to products from Apple itself and its Beats brand.
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JBL Tune 700BT often compared
JBL Live 500BT often compared