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Comparison Shure BLX24/SM58 vs Shure BLX24/PG58

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Shure BLX24/SM58
Shure BLX24/PG58
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Radio system
Microphonevocalvocal
Operating principledynamicdynamic
Specs
Microphone directivity
unidirectional
unidirectional
Directional pattern
cardioid
cardioid
Frequency range50 – 15000 Hz60 – 15000 Hz
Sensitivity-55 dB-53 dB
Functions and connectors
Features
wireless
attenuator
sensitivity adjustment
mute button
wireless
attenuator
sensitivity adjustment
mute button
Connection
XLR
Jack (6.35 mm)
XLR
Jack (6.35 mm)
General
Range91 m91 m
Power sourcebatterybattery
Size224x53x53 mm224x53x53 mm
Weight218 g218 g
In box
receiver
rack holder
receiver
rack holder
Color
Added to E-Catalogjune 2016june 2016

Frequency range

The range of audio frequencies normally perceived and processed by a microphone.

The wider this range — the fuller the signal, the less likely that too high or low frequencies will be missed due to the imperfection of the microphone. However, in this case, it is worth considering some nuances. First of all: a wide frequency range in itself does not guarantee high sound quality — a lot also depends on the type of microphone (see above) and its frequency response, not to mention the quality of other components of the audio system. In addition, a large width is also not always really necessary. For example, for normal transmission of human speech, a range of 500 Hz — 2 kHz is considered sufficient, which is much narrower than the general range perceived by the human ear. This general range, in turn, averages from 16 Hz to 22 kHz, and also narrows with age. Do not forget about the features of the equipment to which the microphone is connected: it is hardly worth specifically looking for a model with an extensive range, if, for example, the amplifier to which it is planned to be connected severely “cuts off” the frequencies from above and/or below.

Sensitivity

Sensitivity describes the signal strength at the output of a microphone when it processes a sound of a certain volume. In this case, sensitivity means the ratio of the output voltage to the sound pressure on the membrane, expressed in decibels. The higher this number, the higher the sensitivity. Note that, as a rule, values in decibels are negative, so we can say this: the closer the number is to zero, the more sensitive the microphone. For example, a -38 dB model outperforms a -54 dB model in this parameter.

It should be borne in mind that high sensitivity in itself does not mean high sound quality - it only allows the device to “hear” a weaker sound. Conversely, low sensitivity is not an unequivocal sign of a bad microphone. The choice for this parameter depends on the specifics of the application: a sensitive device is useful for working with low sounds and in cases where it is necessary to capture the smallest nuances of what is happening, and a “weak” microphone will be convenient at high sound volume or, if necessary, filter out extraneous weak noises. There are models with sensitivity adjustment(and for models with a headphone output , headphone volume control may be provided).
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Shure BLX24/SM58 often compared
Shure BLX24/PG58 often compared